Akeelah and the Bee

May 9, 2018 — Cannes’s Opening Night film is met with a first round of lukewarm reviews.

Mar 30, 2018 — This spectacular and technically ambitious Hollywood musical is a priceless window onto American pop culture’s view of itself in the 1930s.

Mar 27, 2018 — At the height of his career, Ken Russell brought D. H. Lawrence’s classic exploration of human sexuality to the screen with frank eroticism and visual panache.

Feb 22, 2018 — As part of the fourth annual Cinema Revival, the Wexner Center for the Arts in Columbus, Ohio, will screen our 4K restoration of Tony Richardson’s Tom Jones.

Feb 1, 2018 — The first half of the series Martin Scorsese Presents Republic Rediscovered: New Restorations from Paramount Pictures, organized by Dave Kehr, a curator in the Museum of Modern Art’s Department of Film in association with Scorsese’s Film Foundation and Paramount Pictures,...

Jan 20, 2018 — “American Animals is nothing if not a movie that arrives at some very simple truths in the hardest way possible,” writes IndieWire’s David Ehrlich. “A slick, well-acted, and intensely self-reflexive docudrama from the director of The Impostor, [Bart] Layton’s first...

Dec 28, 2017 — Charlie Chaplin’s Modern Times sets up shop on the big screen at Iowa City’s FilmScene this week.

Oct 1, 2017 — “Noah Baumbach has always been a writer-director of no formal distinction, but he's possessed with a keen eye and ear for the intricacies of pettiness, humiliation, and schadenfreude,” begins Steve Macfarlane at Slant. “His new film, The Meyerowitz Stories (New...

Sep 2, 2017 — “The names Joel and Ethan Coen pop up on a lot of screenplays these days (Bridge of Spies, Unbroken), now that they’re getting credit for the kind of script-polishing they used to do anonymously,” begins Variety’s Owen Gleiberman. “But Suburbicon...

Sep 1, 2017 — “There are any number of unforgettable images in Ai Weiwei’s Human Flow, the most necessary and comprehensive documentary to date about our planet’s current refugee crisis,” writes IndieWire’s David Ehrlich, “but the most indelible of them all is borrowed from...