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A Woman Is a Woman

Jul 29, 2021 As André Bazin put it, Marker created “a new and modern reality based as much on language and words as on the power of the image.”

May 30, 2017 Now that the Cannes Film Festival has wrapped, we’ve got some catching up to do. Let’s begin with Scout Tafoya’s report for the Village Voice on a recent symposium “on film criticism and scholarship commemorating the legacy of German film...

Jan 26, 2015 Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.

Oct 2, 2012 Set in 1960s Hong Kong, Wong Kar-wai’s ravishing masterpiece is both a love song to a city and a human romance of epic intimacy.

Nov 25, 2010 Five Easy Pieces is not a statement about America but a closely observed report. Or, perhaps, a confession.

Dec 3, 2021 Deep Dives A baby lies in a crib and drinks from a bottle of water; a little girl, her mother, and her teddy bears enjoy a tea party; a smiling father helps his children out of the car; couples court...

Cannes Stories

The Daily

May 14, 2020 Sorely missing the festival this year, filmmakers and critics swap memories and reflections.

Apr 24, 2019 Channel Calendars The Women (1939) It’s going to be a packed month on the Criterion Channel, with a spotlight on the unforgettable female characters of a classic Hollywood master, a tribute to the great Japanese cinematographer Kazuo Miyagawa, a new...

Rotterdam 2018

The Daily

Jan 24, 2018 The forty-seventh edition of the International Film Festival Rotterdam opens today and runs through February 4. Over a month ago now, we started tracking the lineup, which the IFFR unveiled bit by bit every few days, culminating with the publication...

Oct 28, 2017 We begin with a few translations. Asymptote lives up to its own billing as “the premier site for world literature in translation” with the presentation of Adam Kuplowsky’s renderings in English of some observational work by Yasujiro Ozu. “These three...

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