Woman

Mar 17, 2016 — Decades later, Ingmar Bergman’s self-reflexive masterpiece remains a provocative enigma worthy of close investigation.

Mar 17, 2016 — Repertory Picks This weekend, Row House Cinema will launch the first-ever Pittsburgh Japanese Film Festival, featuring four diverse films by some of Japan’s most beloved filmmakers—including Akira Kurosawa and Yasujiro Ozu. Among the films screening during the festival is Ozu’s...

Feb 24, 2016 — Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.

Feb 24, 2016 — Mike Nichols’s American classic The Graduate launched the career of Dustin Hoffman and made him one of the most sought-after actors of his generation. Up to that point, Hoffman had mainly been performing off-Broadway and taking small roles in film...

Feb 23, 2016 — Without any overt topical references, Mike Nichols’s The Graduate captured the zeitgeist of the 1960s and the dawning countercultural revolution.

Feb 18, 2016 — The Kid marked Charlie Chaplin’s wholehearted embrace of sentiment, which he intertwined with the slapstick he was known for to enrich his Tramp character and carry the narrative of feature-length directorial debut.

Feb 16, 2016 — In Death by Hanging, Nagisa Oshima spins a complex aesthetic web around his documentary-like structure, packing detail, history, politics, and emotion into his surrealist inquiry into capital punishment.

Feb 3, 2016 — For more than two decades, photographer Gregory Crewdson has been creating otherworldly images that reveal an eerie side of Americana. His works, typically tableaux of small-town life, transform the everyday into the uncanny.

Jan 28, 2016 — Next Friday, Film Forum begins a weeklong run of our new 4K restoration of Antonio Pietrangeli’s 1965 masterpiece I Knew Her Well, presented by filmmaker Alexander Payne. This newly rediscovered gem, one of Pietrangeli’s most complex and enchanting works, was...

Jan 21, 2016 — Next week, the Dryden Theatre at the George Eastman Museum in Rochester, New York, will kick off Agnès Varda: (Self)-Portraits, Facts and Fiction, a monthlong series celebrating the pioneering French director’s body of work.