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We Will Go

Apr 30, 2026 The festival presents new work by Isabel Sandoval, Kogonada, Ildikó Enyedi, and more.

Apr 28, 2026 In April 1992, John Singleton was en route to the set of his second film when he heard the verdict on the radio. A predominantly white jury had acquitted four police officers who, a year earlier, had been caught on...

April Books

The Daily

Apr 21, 2026 From new titles on the silent era and Hollywood’s Golden Age to forthcoming novels and memoirs, this month offers something for every reader.

Apr 20, 2026 For half a century, she was, as Emmanuel Macron put it, “a constant presence in French cinema.”

Not I, AI

The Daily

Apr 10, 2026 Jia Zhang-Ke and Steven Soderbergh experiment with AI, plus: Jim Jarmusch, Tina Aumont, and Elvira Notari.

Mar 31, 2026 Claude Lelouch’s Palme d’Or–winning breakout hit combines elements of a classic Hollywood love story with dynamic photography, an edgy editing style, and a naturalistic sense of character and location.

Mar 26, 2026 In her riveting documentary Mistress Dispeller, Elizabeth Lo crafts a vividly cinematic exploration of love, marital infidelity, and a drastic form of professional intervention that has become popular in contemporary China.

Mar 18, 2026 This month’s highlights include a collection of corporate thrillers, a survey of an emerging generation of trans auteurs, and a new installment of Adventures in Moviegoing with Mary Bronstein.

Mar 17, 2026 Film at Lincoln Center presents a series of films leading up to the U.S. release of Miroirs No. 3.

Mar 17, 2026 In her first and only theatrical feature, director Lynne Littman presents an unbearably intimate vision of apocalypse, focusing on the effects of a nuclear blast on one suburban American family.

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