The Criterion Collection
Nov 4, 2014 — In cinema history, there truly is no gag like a Tati gag.
Feb 17, 2014 — Flailing fathers, anxious mothers, and their moody offspring—these characters may have tails, but they’re Wes Anderson people through and through.
Essays
Dec 11, 2013 — This political drama was made in Mexico at a revolutionary moment and represents an extraordinary confluence of international talent.
Essays
Sep 18, 2013 — This chapter about director Richard Linklater’s beginnings, from the 1996 book Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema, is by the former producer’s representative, creator and host of IFC’s Split Screen, and...
Production Notes
Apr 4, 2013 — 1. Director Robert Bresson originally titled his screenplay Aide-toi . . ., a reference to the French expression “Aide-toi et le ciel t’aidera” (“Heaven helps those who help themselves”). He ultimately decided instead to use the title Devigny’s journalistic account of his...
Nov 20, 2012 — Michael Cimino’s visionary western is a superbly realized account of a shocking real American tragedy.
Feb 28, 2012 — In the long history of stage-to-screen translations, there’s never been anything quite like Louis Malle’s Vanya on 42nd Street (1994), an astonishing hybrid blurring the boundaries between theater and film, rehearsal and performance, actor and character. The production began in...
Essays
Jan 17, 2012 — At once a political epic and a radical gesture in personal filmmaking, Steven Soderbergh’s Traffic is an unexpected, unlikely triumph. It was a film that Hollywood didn’t want to make—every studio in town turned it down—that went on to secure...