The Criterion Collection
On the Channel
Sep 3, 2019 — In the early sixties, John Schlesinger made a name for himself as part of the British New Wave, as the energetic, gritty realism of his first few features—A Kind of Loving, Billy Liar, and Darling (for which Julie Christie won...
Features
Sep 2, 2019 — Dark Passages Thieves’ Highway A hay cart trundles through a sunny field above Fresno, California, in the opening shot of Thieves’ Highway. This is not an image you expect to see in film noir, which most often breeds in cities, alienated from the...
The Daily
Aug 30, 2019 — This week, a feminist journal folds, a filmmaker pens a manifesto, and Richard Linklater commits to a twenty-year project.
Aug 29, 2019 — Catherine Deneuve and Juliette Binoche star as a mother and daughter clashing over contrasting versions of their past.
Aug 27, 2019 — In 1986, having made a number of child-centered films in his position as the head of the filmmaking division at Iran’s Center for the Intellectual Development of Children and Young Adults (an organization Iranians call Kanoon), Abbas Kiarostami accepted a...
The Daily
Aug 20, 2019 — With The Hired Hand, Fonda created a classic of the new era ushered in by Easy Rider.
The Daily
Aug 12, 2019 — This month we’re looking at titles by or about Chantal Akerman, Orson Welles, Chris Marker, Kathleen Collins, and many more filmmakers and writers.
The Daily
Aug 7, 2019 — The last two days have seen an avalanche of titles filling up the fall festival lineups.
Features
Aug 6, 2019 — Once, in 1977, Werner Herzog read a news item about a volcano that was supposed to erupt in Guadeloupe and one man living there who refused to evacuate with the rest of the island’s population. Herzog being Herzog, he immediately...
The Daily
Aug 1, 2019 — A centerpiece for New York, Canadian films in Toronto, genre fare in Austin, and silent classics in Pordenone, Italy.