Why

May 27, 2025 — Suffused with slapstick humor and slightly surreal wit, Richard Lester’s beloved take on a frequently adapted adventure epic embodies a style of extravagant filmmaking that didn’t survive long past the 1970s.

May 21, 2025 — The exiled American director of Try and Get Me! and Hell Drivers depicted crime and violence as the inevitable results of capitalist competition.

May 20, 2025 — Set in the dying days of the 1960s, Bruce Robinson’s semi-autobiographical tale of two unemployed actors is a triumph of screenwriting and a brilliant showcase for then-unknown stars Richard E. Grant and Paul McGann.

May 13, 2025 — Here’s a sampling of what we can look forward to in each of the festival’s programs.

Apr 29, 2025 — To commemorate the fiftieth anniversary of the fall of Saigon, the director of Three Seasons discusses a selection of landmark films that have shaped how we remember this devastating and divisive conflict.

Apr 17, 2025 — At eighty-two, the director has made his most deeply personal film yet.

Apr 17, 2025 — After a wildly successful stop at SXSW, where we welcomed over a thousand film fans, the Mobile Closet is making its way to Vidiots and American Cinematheque in LA.

Apr 11, 2025 — We’re paging through the new Millennium Film Journal and reading elsewhere about William S. Burroughs, Pauline Kael, and John Ford.

Apr 4, 2025 — Henry Fonda and Shinji Somai headline a week that also brings new issues of frieze and the Brooklyn Rail.

Mar 25, 2025 — Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.