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To the Night

Apr 2, 2018 Updates are still coming into the first entry on this year’s New Directors/New Films running at the Film Society of Lincoln Center and the Museum of Modern Art in New York. This entry will take us all the way through...

Mar 5, 2018 Along with 132 short films and a slew of masterclasses, installations, discussions, and other events, the Berlin International Film Festival presented 253 features this year. I managed to catch twenty-seven of them, and Adina Pintilie’s Touch Me Not, winner of...

Feb 22, 2018 As part of the fourth annual Cinema Revival, the Wexner Center for the Arts in Columbus, Ohio, will screen our 4K restoration of Tony Richardson’s Tom Jones.

Feb 12, 2018 In “Twin Peaks: The Return, or What Isn’t Cinema?,” a four-part essay at Reverse Shot, Nick Pinkerton first stakes out a position. Referring to one of Marcel Duchamp’s most famous pieces, he writes: “For a hundred years now it’s been...

Aug 11, 2017 “Mrs. Fang is a study of a face and a sober essay on death,” writes Rory O’Connor at the Film Stage. “It’s also about fishing. As profoundly moving as it is troubling, this new masterwork from documentary filmmaker Wang Bing...

Jul 23, 2017 “Exploding across the stressed out summer of 2017 like a powder keg thrown into a room that’s already on fire, Kathryn Bigelow’s hectic but harrowing docudrama account of the 1967 Detroit riots is inevitably as concerned with the persistence of...

Mar 24, 2017 Capturing the cultural anxieties of the 1970s, Hal Ashby’s comedic parable explores the pitfalls of innocence and credulity in American politics.

Mar 21, 2016 Edward Yang’s masterful 1991 adolescent epic telegraphs the tensions and turbulence of 1960s Taiwan, when youth pop culture and teen street gangs became a major societal force.

Jul 23, 2013 Asked by French journalists in a 2001 interview what recent films he most admired, Brian De Palma named Ang Lee’s 1997 The Ice Storm. It was surprising to hear one of the leaders of a filmmaking revolution that aimed at...

Oct 9, 2012 British wartime audiences ate up these rule-breaking costume pictures—entertainments for a populace seeking escapism.

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