The Criterion Collection
Essays
Oct 24, 2005 — Kihachi Okamoto’s subversion of the samurai movie possesses the same gritty, stark realism with regard to imagery and body count, yet the tone is decidedly comic.
May 11, 2021 — When Fast Times at Ridgemont High came out, in the summer of 1982, I was almost exactly the same age as Jennifer Jason Leigh’s Stacy Hamilton, getting ready to start my sophomore year in high school. Like Stacy’s world-weary older...
The Daily
Jan 31, 2022 — What have the critics been saying about this year’s winners?
Mar 24, 2026 — In this true-crime epic, Martin Scorsese combines his career-long exploration of amoral gangsterism with a sobering meditation on what it means to live on American soil.
The Daily
Dec 11, 2023 — Justine Triet’s film and star Sandra Hüller are also favorites for critics in Los Angeles, Boston, and Washington, D.C.
The Daily
May 26, 2023 — This year saw the return of Michel Gondry, a strong showing from New York, and a bittersweet love story from Georgia.
Mar 23, 2021 — “Pleasure,” wrote Samuel Butler in The Way of All Flesh, “is a safer guide than either right or duty.” Surely this is true when it comes to watching films. While cinema can be edifying, most of us go to the...
The Daily
Dec 15, 2020 — Steve McQueen’s Small Axe has emerged as one of the major cinematic events of the year.
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.
Mar 13, 2018 — Martin Scorsese brought his trademark attentiveness to the intricacies of social custom to this devastating adaptation of an Edith Wharton novel.