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The Man in the Net

Aug 2, 2004 The three film’s in Renoir’s trilogy are comic period fantasies in dazzling color, offering a kind of continuous, bustling choreography in which shifting power relations between upper and lower classes and between spectators and performers literally turn the world into...

February Books

The Daily

Feb 25, 2026 A survey of Black cinema and memories of watching movies with John Ashbery are among this month’s highlights.

Jan 13, 2023 This week’s eclectic round touches on experimental milestones, restorations, Mexican cinema, a Japanese series, and movies about movies.

July Books

The Daily

Jul 19, 2022 Our midsummer books roundup opens with one sharp critique and one celebration of American popular culture.

Apr 16, 2020 Performances If Richard Milhous Nixon, the thirty-sixth president, continues to inspire a morbid fascination in some of us, the reasons for this extend beyond the obviously exceptional aspects of his career—his reelection in 1972, one of the largest landslide victories...

Jul 16, 2019 Armando Iannucci will open London, and Locarno and Venice are preparing their 2019 lineups

Apr 11, 2018 Before the Cannes Film Festival rolls out its main lineup tomorrow, there are a couple of items to see to. From the festival itself today, there’s this year’s poster, as mentioned earlier, as well as the list of eight films...

Nov 21, 2017 Ernst Lubitsch’s “world is defined by time as much as place,” writes Daniel Witkin in the latest entry in Reverse Shot’s symposium on time. “Anachronistically straddling the 19th and 20th centuries, his characters embody unfashionable virtues of discretion and tact...

Sep 24, 2017 For the final issue in print of the Village Voice, Bilge Ebiri talks with Jonas Mekas, “the 94-year-old filmmaker, artist, critic, poet, photographer, cinema owner, and all-around underground impresario who transformed film criticism, filmmaking, and exhibition throughout the 1960s and...

Jun 22, 2017 The new issue of Senses of Cinema opens with a whopping dossier on Budd Boetticher (1916–2001). In his introduction, Dean Brandum notes that “in 1960, at the very moment he seemed destined for A-list status, he walked away from Hollywood,...

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