The Criterion Collection
Nov 26, 2018 — Even as he chronicles the downfall of an American family, Orson Welles brings a sense of buoyancy to this grim saga through his virtuoso storytelling.
Nov 1, 2022 — In one of the most incendiary and formally experimental films of the Czechoslovak New Wave, two mysterious young women uncover humanity’s endless potential for revolt.
Essays
Dec 3, 2008 — Gliding on silvery reels of steel, and tricked out with Lars von Trier’s panoply of visual effects, the film ravishes with its elaborately storyboarded tunnel vision.
Features
Jun 14, 2021 — Postwar Hollywood’s quintessential heavy wields his signature mix of brutality and neurosis to embody an abusive husband in Max Ophuls’s psychological drama.
Jan 17, 2023 — One of contemporary cinema’s most provocative filmmakers launched his career with three deeply unnerving, deliriously genre-blending portraits of Europe.
Nov 2, 2021 — Federico Fellini’s earliest masterpiece is a story of despair and optimism, cruelty and salvation, that occasioned the director’s ascent to stardom.
The Daily
Feb 7, 2020 — Retrospectives of the German filmmaker’s work precede the release of I Was at Home, But . . . (2019)
The Daily
Aug 1, 2025 — On our minds this week: Renoir, Malick, Rozier, and a trip to FIDMarseille.
Aug 25, 2023 — Between 1960 and 1964, Roger Corman directed eight films loosely derived from Edgar Allan Poe and in all but one case starring Vincent Price: House of Usher (1960) was followed by The Pit and the Pendulum (1961); the omnibus feature...
The Daily
Feb 12, 2018 — Icelandic composer, musician, and producer Jóhann Jóhannsson is gone too early at the age of forty-eight. “Known for compositions that often blended electronics with classical orchestrations, Jóhannsson credits include the Golden Globe-winning score for 2015’s The Theory of Everything,” writes...