The Criterion Collection
The Daily
Sep 19, 2022 — Let’s have a look at the award-winners and critical favorites.
Essays
Sep 13, 2022 — Sean Baker and Shih-Ching Tsou’s portrait of an undocumented Chinese immigrant working in New York City captures a suspenseful human drama with a DIY, documentary-like approach.
The Daily
Sep 8, 2022 — All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.
Jul 20, 2022 — A brutal critique of the American dream, Carl Franklin’s 1995 thriller explicitly confronts the racialized implications of classic film noir.
Essays
Jun 21, 2022 — Two eras of Hong Kong history collide in this exquisite ghost story, which solidified director Stanley Kwan’s status as one of cinema’s truest romantics.
Jun 21, 2022 — “The best actors in the world,” he once said, “are those who feel the most and show the least.”
May 25, 2022 — Mira Nair’s sumptuous second feature explores migration, rebellion, and romance across racial borders in the American South.
Essays
May 17, 2022 — Juzo Itami’s tragicomic directorial debut has scandalous fun with the Japanese traditions governing death.
Nov 17, 2021 — Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...
On the Channel
Oct 27, 2021 — Channel Calendars Celebrate Noirvember on the Criterion Channel with a tribute to the cool-as-ice Robert Mitchum, whose nonchalance and quiet menace made him a defining presence in American cinema’s underworld. Or enjoy the sophisticated, pitch-dark pulp classics in our Fox...