The Criterion Collection
Essays
Mar 31, 2026 — Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.
The Daily
Mar 31, 2026 — A seven-film series in London takes measure of nuclear anxiety behind the Iron Curtain.
The Daily
Mar 27, 2026 — Featuring pairings of David Bowie and Nicolas Roeg, Jerry Lewis and Jean-Luc Godard, and Caroline Golum and the Middle Ages.
Mar 27, 2026 — The first documentary feature about the rock legends, Charlie Is My Darling captures the band as a group of consummate musicians coming into their fame, fully committed to their craft and enjoying one another’s company.
The Daily
Mar 24, 2026 — Novelist Silvia Moreno-Garcia programs a series of films by Roberto Gavaldón, Julio Bracho, Emilio Fernández, and Luis Buñuel.
The Daily
Mar 20, 2026 — This week: Thierry Frémaux on the Lumière brothers, Lynne Littman and Jane Alexander on Testament, and Christian Petzold on Hitchcock.
The Daily
Mar 20, 2026 — We’re reading up on the work of Jean-Luc Godard and Chantal Akerman—and Liza Minnelli has a new memoir.
On the Channel
Mar 18, 2026 — This month’s highlights include a collection of corporate thrillers, a survey of an emerging generation of trans auteurs, and a new installment of Adventures in Moviegoing with Mary Bronstein.
The Daily
Mar 12, 2026 — A selection of fine writing on this year’s Academy Award nominees.
The Daily
Mar 10, 2026 — Metrograph presents a retrospective of work by a filmmaker championed by Godard, Rivette, and Bazin.