The Criterion Collection
Essays
Jul 14, 2008 — Linguistic cosmopolitanism in the Babel-like world of commerce and culture is one of Jacques Tati’s several satirical targets.
Feb 11, 2008 — Though today he is most fondly remembered for his later romantic comedies, typifying Hollywood filmmaking in its heyday, it should be known that Ernst Lubitsch was also a pioneer of the modern movie musical.
Jan 21, 2008 — The feminist politics of Agnès Varda’s marital drama were ahead of their time, but it is on the level of form that the film is so unsettling and calls up contradictory interpretations.
Jun 25, 2007 — Chris Marker’s masterpiece is a cinematic essay and travel film made up of asides and digressions that form a portrait of late twentieth-century civilization.
Apr 16, 2007 — Jules Dassin’s noir is arguably the meatiest and most resonant prison film ever made in Hollywood, drawing explicit parallels to the Nazi encampment experience.
Apr 24, 2006 — This influential crime thriller, designed purely as a genre exercise, is the first in the long series of anomalies that was Louis Malle’s career.
Apr 17, 2006 — Another movie, another cause célèbre: this mysterious film by Orson Welles has been dismissed as a disaster and hailed as a masterpiece.
Dec 5, 2005 — René Clément’s masterpiece is dedicated to the radical Freudian proposal that living matter seeks the comfort of oblivion.
Essays
Feb 14, 2005 — A touchstone of Jean-Luc Godard‘s political period, the film plays with the idea of recording working-class history as it is happening.
Dec 9, 2002 — What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.