S.O.B.

Mar 29, 2017 — Film journalist Mark Harris stopped by Criterion to chat about the growing pains that five Hollywood filmmakers experienced during World War II.

Feb 11, 2017 — Ermanno Olmi captures the dignity of work in this painterly vision of late nineteenth-century rural Italy.

Feb 6, 2017 — In the inaugural installment of his new column, archivist Michael Chaiken examines the Nobel Prize–winning icon’s unique artistic process through a collection of ephemera.

Jan 9, 2017 — A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.

Jun 28, 2016 — When Stanley Kubrick bought the motion picture rights to the 1958 thriller Red Alert, by the retired Royal Air Force navigator Peter George, he meant to direct an action film about a nuclear war triggered by a solitary madman. Some...

Mar 23, 2016 — We had come to expect Chantal Akerman’s periodic gifts of small and large cinematic gems. Certain of this flow, we were devastated when, all too abruptly, we were forced to think of her latest film, so beautiful, as her last.

Feb 16, 2016 — In Death by Hanging, Nagisa Oshima spins a complex aesthetic web around his documentary-like structure, packing detail, history, politics, and emotion into his surrealist inquiry into capital punishment.

Nov 4, 2015 — In the midst of a tumultuous period in his life and career, Ingmar Bergman made one of his most ebullient comedies.

Sep 23, 2015 — Bruce Beresford draws on a controversial episode of Australian colonial history from 1901 to create an electrifying drama that questions the moral certitude of war.

Sep 14, 2015 — In his latest column, Peter Cowie reflects on his friendship with our beloved cofounder.