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Rain Man

Feb 18, 2008 At the climax of Alex Cox’s Walker (1987), a helicopter descends from the night sky onto a plaza where the colonial buildings are ablaze and an army of mercenaries is disintegrating . . .

Apr 16, 2007 Jules Dassin’s noir is arguably the meatiest and most resonant prison film ever made in Hollywood, drawing explicit parallels to the Nazi encampment experience.

Jul 24, 2006 Powell and Pressberger’s poignant work captures the fulfillment and absolute sameness of the everyday and the sacred.

Nov 7, 2005 Often appearing on lists of the ten greatest films of all time, called one of the most beautiful films ever made, or the most masterful work of Japanese cinema, Ugetsu comes to us awash in superlatives. No less acclaimed has...

Aug 22, 2005 This delicate, fascinating film is self-consciously, almost militantly, naive, and it remains something of an anomaly in Roberto Rossellini’s body of work.

Apr 19, 2004 “Floating weeds, drifting down the leisurely river of our lives,” has long been a favored metaphor in Japanese prose and poetry. This plant, the ukigusa (duckweed in English), floating aimlessly, carried by stronger currents, is seen as emblematic of our...

Feb 14, 2002 Robert Bresson’s second feature is fixed in history as one of the movies that heralded an austere, modernistic way of seeing and feeling.

May 21, 2001 Akira Kurosawa’s period film not only commemorated historical Japanese myths with new, vivid feeling but also created the source for many of the enduring entertainment tropes in world cinema today.

Mar 19, 1996 “[He] loves to set his figures in action against greenish or purplish backgrounds, in which we can glimpse the phosphorescence of decay and sniff the coming storm.”—Charles Baudelaire, writing on Edgar Allan Poe What’s striking about Seven is that the...

Sep 13, 1993 If, as François Truffaut said, quoting Renoir back in 1958, “The film director’s task consists of getting pretty women to do pretty things,’” then never did he apply himself more faithfully than in Confidentially Yours specifically for Fanny Ardant, not...

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