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Oct 9, 2020 In the summer of 2020, I spoke with Philippe Garnier about his book Scoundrels & Spitballers: Writers and Hollywood in the 1930s, available for the first time in English from Eddie Muller’s Black Pool Productions. The book introduces a rogues’...

Oct 17, 2017 In this lavishly mounted epic, Stanley Kubrick captures the ghostly ephemerality of a vanishing world with paradoxical immediacy.

Shades of Gray

On the Channel

Nov 18, 2016 Tonight we salute the unique gifts of actor and monologue artist Spalding Gray, whose solo performance pieces inspired soaring flights of cinema like Jonathan Demme’s Swimming to Cambodia and the two Steven Soderbergh films that make up our double bill....

Aug 1, 2016 Back in January, veteran actor Keith Baxter stopped by the Criterion offices for lunch and regaled us with memories of his experience working with Orson Welles.

Jun 21, 2011 Chains: Bound for Glory Film history is replete with artists embraced by critics but misunderstood by the public. For Italian filmmaker Raffaello Matarazzo, it was the opposite. After working for almost two decades as a midlevel studio director of pictures...

Jun 15, 2016 Although afflicted by on-set drama and offscreen tragedy, Jean Renoir’s La Chienne shows the director’s early mastery of sound cinema and features the trademarks that would come to define his style.

May 17, 2022 Juzo Itami’s tragicomic directorial debut has scandalous fun with the Japanese traditions governing death.

Apr 23, 2009 These profiles of the real-life Sada Abé and the actress who portrayed her in Nagisa Oshima’s In the Realm of the Senses first appeared in Donald Richie’s 1987 book Different People: Pictures of Some Japanese, and can also be found...

Bottle Rocket

Essays

Nov 23, 2008 The possession of a real voice is always a marvel, an almost religious thing.

May 20, 2025 Set in the dying days of the 1960s, Bruce Robinson’s semi-autobiographical tale of two unemployed actors is a triumph of screenwriting and a brilliant showcase for then-unknown stars Richard E. Grant and Paul McGann.

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