The Criterion Collection
Essays
May 15, 2000 — Twenty-five years after its first appearance, Bergman’s film of The Magic Flute remains the finest screen version of an opera ever produced. Shot in sumptuous color by Sven Nykvist, and featuring some of the finest Nordic singers of the day,...
Oct 29, 1990 — Luis Buñuel’s ode to obsessive love is injected with the biting subversive wit, symbolism, originality and surreal touches that distinguish his finest achievements.
Essays
Feb 11, 1990 — Bob Rafelson’s ultimate road movie is a relaxed masterpiece, a film of laid-back innovation that hasn’t aged one iota since its original release.
The writer and director talks about the influence of Fast Times at Ridgemont High, shares his love for Original Cast Album: “Company,” and takes his chances on a series of blind selections.
The chaotic cult films of this American original are characterized by dark, absurdist humor, fantastical world-building, and eccentric characters.
The director of The Living End and The Doom Generation reminisces about writing papers on Bringing Up Baby in film school, defends one of David Lynch’s most polarizing masterpieces, and calls John Waters “the original godfather of everything.”
May 20, 2025 — A film about and against everything, this astonishingly original comedy attacks Big Brother, the bomb, and the incipient collapse of our planetary ecosystem, along with the lies that stop us from recognizing all of the above.
Jun 11, 2018 — Alexander Payne will direct the story that originally appeared in the New Yorker in 2013.