The Criterion Collection
Sep 17, 2025 — One of the most influential comedies of the 1980s, Rob Reiner’s rock-and-roll satire is a remarkably authentic, lived-in portrait of musicians, their egotism, and the industry that feeds off their stardom.
Oct 12, 2009 — Man is Not a Bird: Flying Away The term “independent cinema” has lost its punch in recent years, from overuse and misapplication. One need only look to the films of Dušan Makavejev for a reminder of its true meaning. This...
Essays
Mar 11, 1991 — The long absent comic essence of the silent era was suddenly revived in the hands of lovable and wildly antic filmmaker Jacques Tati.
Oct 24, 2024 — The director of such classic political docudramas as On the Bowery and Come Back, Africa defied the conventions of nonfiction filmmaking with his innovative approach to collaboration and performance.
Features
Sep 9, 2022 — James Wong Howe was a fighter, and he learned how to be one over the course of a turbulent upbringing. Born Wong Tung Jim in 1899, in the Chinese province of Guangdong, the man who would become one of the...
Essays
Dec 12, 2019 — Almost from the moment it arrived on screens in early 2006, Kelly Reichardt’s Old Joy was celebrated as a new milestone for American cinema, even an expression of independent filmmaking’s delayed arrival at maturity. In relating its deceptively simple tale...
The Daily
Apr 22, 2018 — This year’s Art of the Real, the fifth, running from Thursday through May 6 and co-presented by MUBI and the Film Society of Lincoln Center in New York, “offers a survey of the most vital and innovative voices in nonfiction...
Mar 8, 2016 — Paris Belongs to Us marked the genesis of Jacques Rivette’s unique filmmaking style—introducing visual and narrative elements that Rivette would build on over the course of his long career.
Nov 5, 2015 — Julien Duvivier’s early sound films offer emotionally rich explorations of life in prewar France.
Feb 25, 2025 — Like many of the characters found throughout the director’s oeuvre, the alternative-press staffers at the center of her sophomore feature are bound up in a perpetual tug-of-war between past and present realities.