The Criterion Collection
On the Channel
Sep 30, 2020 — Genre fans rejoice! October kicks off with a ’70s Horror series and the head-spinningly eclectic films of the New Korean Cinema.
Essays
Sep 30, 2020 — Martin Scorsese’s World Cinema Project No. 3 Pixote (1980), subtitled A lei do mais fraco (The Law of the Weakest), a hard-hitting tale of urban street children and their daily battle for survival in brutal conditions, was the Argentine-born Brazilian...
Features
Sep 23, 2020 — First Person 1.In the past years I’ve often walked or bicycled alone to the small multiplex in my town, on weeknights. I like sitting by myself in movie theaters—I specify “by myself” to indicate my preference for going unaccompanied, as...
The Daily
Sep 18, 2020 — The late scholar Robert Bird’s final essay on Tarkovsky and fresh writing on Béla Tarr, Eric Rohmer, and more are among this week’s highlights.
Sep 10, 2020 — In this in-depth interview, the legendary photographer and filmmaker explains how a lifetime of compulsive movie-watching has influenced her artistic practice.
On the Channel
Aug 31, 2020 — Documentaries lead the charge this month on the Criterion Channel, with a wide-ranging offering of nonfiction films as formally imaginative and emotionally riveting as any scripted drama.
The Daily
Aug 14, 2020 — Appreciations of Kathleen Collins and Vittorio De Sica and interviews with James Mangold, Orson Welles, and Billy Wilder are among this week’s highlights.
Essays
Aug 11, 2020 — The Complete Films of Agnès Varda It’s the other famous shot in The Gleaners and I (2000) of Agnès Varda’s reaching hands. Not the one she said was taught around the world as the heart of her documentary-making, where, in...
Essays
Aug 11, 2020 — The Complete Films of Agnès Varda The poster for the seventy-second Cannes Film Festival, held in May 2019, used a photograph taken during the shooting of Agnès Varda’s first film, La Pointe Courte, in 1954. Wearing rolled-up trousers, a shirt,...
The Daily
Jul 28, 2020 — Having won the hearts of audiences and costars, one of the brightest lights of Hollywood’s golden age also scored a landmark victory in the courts.