Jun 3, 1991 Robert Montgomery stars in the Oscar-nominated role of Joe Pendleton, a lug of a boxer accidentally spirited off to heaven before his time, while Claude Rains is the title character whose job it is to find a way for Pendleton...

Jan 25, 2012 Creating an effect of pity and terror unique in Francesco Rosi’s cinema, The Moment of Truth ought by rights to be counted among his finest achievements. On its original release in 1965, Pauline Kael acclaimed “the beauty of rage, masterfully...

Nov 19, 2024 A pop star, psychics, and a punk-turned-priest are focus of this weekend’s series at the Museum of the Moving Image.

Aug 13, 2024 In films that elude categorization, the Ukrainian director developed a boldly experimental aesthetic that evokes her mercurial inner dialogue and the leaps and stutters of her imagination.

Apr 30, 2024 Jacques Rivette, Marguerite Duras, and Luis Buñuel—more than thirty features and shorts will screen in the monthlong series.

Apr 22, 2024 Fiercely committed to the possibilities of political art, the trailblazing director talks about how her intersectional understanding of feminism imbues her films, three of which are now playing on the Criterion Channel.

May 5, 2022 Has Asian American cinematic representation really reached unprecedented heights, as almost all recent film coverage on the subject claims? In the past two years, critics’ polls, New York Times features, and Golden Globes scandals have marked the newfound success of...

Aug 3, 2021 With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.

Mar 11, 2021 The Museum of Modern Art is streaming the only two features by the forgotten filmmaker championed by Bertrand Tavernier and Pierre Rissient.

Feb 14, 2020 One Scene An irresolvable tension between the natural world and scripted narrative crops up throughout the work of German filmmaker Angela Schanelec, including in her latest feature, I Was at Home, But . . . Winner of the best director...

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