Apr 30, 2024 Jacques Rivette, Marguerite Duras, and Luis Buñuel—more than thirty features and shorts will screen in the monthlong series.

Apr 22, 2024 Fiercely committed to the possibilities of political art, the trailblazing director talks about how her intersectional understanding of feminism imbues her films, three of which are now playing on the Criterion Channel.

May 5, 2022 Has Asian American cinematic representation really reached unprecedented heights, as almost all recent film coverage on the subject claims? In the past two years, critics’ polls, New York Times features, and Golden Globes scandals have marked the newfound success of...

Aug 3, 2021 With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.

Mar 11, 2021 The Museum of Modern Art is streaming the only two features by the forgotten filmmaker championed by Bertrand Tavernier and Pierre Rissient.

Feb 14, 2020 One Scene An irresolvable tension between the natural world and scripted narrative crops up throughout the work of German filmmaker Angela Schanelec, including in her latest feature, I Was at Home, But . . . Winner of the best director...

MoMA’s Back

The Daily

Oct 21, 2019 Newly renovated and expanded, New York’s Museum of Modern Art integrates the story of cinema into its history of modernism.

Jan 7, 2019 The artist behind our new cover for Hitchcock’s spy-noir masterwork remembers falling in love with the film as a child and walks through the process of illustrating one of its most iconic scenes.

Oct 4, 2018 North by Northwest’s crop-duster scene—in which Cary Grant’s victim of mistaken identity finds himself in a fallow Indiana field, hunted by a low-flying biplane—is one of the most iconically thrilling moments in Alfred Hitchcock’s fiendishly clever body of work. But,...

Oct 1, 2018 A breathtaking, rarely screened vérité document encapsulates the social and aesthetic sea change that transformed France in the spring of 1968.

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