Left for Dead

Apr 21, 2021 — First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...

Feb 13, 2018 — Lucrecia Martel was at the International Film Festival Rotterdam this year not only to present Zama but also to deliver a masterclass. Giovanni Marchini Camia was there, and reports for Filmmaker: To illustrate her conception of mise en scène, Martel...

Jul 12, 2016 — Herk Harvey’s influential, low-budget horror classic Carnival of Souls is an eerie exploration of the mutability of place and the purgatorial state of dreaming.

Aug 16, 2011 — “It is my best film. I always loved it. I always believed in it. It is real cinema, done for cinema—like art for art.” That was Roman Polanski’s view of Cul-de-sac in 1970, four years after its release and just...

Jan 11, 1999 — In 1910 Sir William Mackenzie hired Robert Flaherty to prospect the vast area east of the Hudson Bay for its railway and mineral potential. Over the course of several years and through four lengthy expeditions Flaherty had frequent contact with...

Aug 4, 2025 — The Lovers on the Bridge (1991) is restored, a series is on in New York, and another heads to Austin.

Sep 10, 2024 — Andrew Haigh explores loss and queer loneliness in this exquisite, twilit tangle of lives and loves separated by space, time, and personal defenses.

Sep 6, 2024 — Alex Cox discusses his first and next films, Warhol rarities screen in New York, and a courtroom drama revisits the culture wars of 1970s France.

Jan 16, 2024 — The festival will premiere ten new restorations as well as Martin Scorsese’s journey through the work of Powell and Pressburger.

Apr 14, 2020 — Whether or not you believe it is the greatest year of all for the Hollywood studio system, the wonder of 1939 is the sheer depth of its bench. On a ten-movie best-picture ballot, the Oscars found no room to nominate...