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How to Make a Killing

Feb 24, 2026 For this existential noir, Joel and Ethan Coen drew inspiration from crime-fiction master James M. Cain’s lean, hard-boiled style and interest in the quotidian world of work.

Sep 26, 2025 One of the most provocative subgenres of 1970s exploitation cinema, nunsploitation explores the collision of sex and religious dogma through stories of desperately horny women of the cloth.

Aug 1, 2024 Philadelphia’s showcase of work by Black, Brown, and Indigenous artists opens today and runs through the weekend.

Jun 22, 2023 Our latest slate of programs dives into one of science fiction’s favorite themes, the film career of one of rock and roll’s greatest icons, and midcentury pulp from across the Atlantic.

Apr 27, 2023 Over the course of her four-decade career, the pioneering Indian documentary filmmaker has demonstrated the important roles that joy and pleasure play in the process of political change.

Survivors

The Daily

Sep 2, 2022 Spend the holiday weekend with Hugo Fregonese, Serge Daney, Bertolt Brecht, Michael Schultz, and Todd Haynes.

Apr 29, 2022 Channel Calendars This month on the Criterion Channel, we’re celebrating the career of one of our favorite contemporary American filmmakers—the independent, inquisitive, and ever-eclectic Richard Linklater—with a retrospective of beloved hits and lesser-known gems selected by the director himself. Take...

Apr 15, 2021 Catherine Breillat and Todd Field are getting back behind the camera, while Scorsese and Spielberg forge ahead with their latest projects.

Sep 16, 2020 When I think of Albert Brooks, the first image that invariably comes to mind is that of a worry-stricken man desperately impressing his anxieties upon a bemused, notably less nebbishy partner, presenting an elaborate case for the legitimacy of those...

May 4, 2020 “You’ve never seen prairie grass with the wind leaning on it, have you, Diz?”Jean Arthur asks this poetic, expressively peculiar question of Thomas Mitchell in Frank Capra’s 1939 Mr. Smith Goes to Washington, and we understand her yearning for truth...

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