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Happy Hour

Mar 27, 2012 Coward and Lean? It may not sound as natural as Launder and Gilliat or Powell and Pressburger, perhaps because we don’t instinctively think of Noël Coward as a filmmaker or of David Lean as part of a team. But they...

Jun 4, 2026 Since its debut in 2024 at the New York Film Festival, the Criterion Mobile Closet has made wildly successful visits to cities across the United States and Canada. For our next stop, we are headed back to Los Angeles for...

May 26, 2026 Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...

Apr 21, 2026 Since its debut in 2024 at the New York Film Festival, the Criterion Mobile Closet has made wildly successful stops in cities across the United States and Canada. For our first trip this year, in partnership with PAM CUT, Criterion...

Mar 9, 2026 The comprehensive retrospective can be a daunting prospect, but programmer David Schwartz has spotlit five essential features.

Jan 9, 2026 The director of some of the bleakest films ever made once claimed all they were all comedies—except one.

Sep 8, 2025 After wildly successful stops in multiple cities across the United States and, most recently, in Toronto at TIFF, we’re making a trip to Chicago!

Aug 7, 2025 After wildly successful stops in multiple cities across the U.S., we’re taking the Mobile Closet outside the country for the first time this September.

Jun 12, 2025 The acclaimed crime writer joins a producer of the 1999 adaptation of The Talented Mr. Ripley to discuss the cinematic incarnations of Patricia Highsmith’s shape-shifting, quintessentially American antihero.

May 29, 2025 The rise of fascism upended the childhoods of both filmmakers.

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