Happy End

Jan 29, 2026 — Jonathan Glazer’s enigmatic second feature explores the terrors of being desperate for love—and the vulnerability, loneliness, and difficulty in understanding other people that might drive this state.

Jan 29, 2026 — A resounding critical and popular success upon its release, Héctor Babenco’s adaptation of a literary masterpiece by Manuel Puig was an unprecedented cinematic fusion of a radical politics of sex with a sexual politics of revolution.

Jan 9, 2026 — The director of some of the bleakest films ever made once claimed all they were all comedies—except one.

Nov 18, 2025 — This December, make yourself at home in some of cinema’s most memorable hotels, celebrate Julianne Moore’s bracingly human performances, or explore the trailblazing debuts of Black women filmmakers.

Sep 30, 2025 — Made with a formal control unparalleled in modern American cinema, the films of this utterly distinctive auteur seek to contain and understand an uncontainable, unknowable world.

Sep 8, 2025 — After wildly successful stops in multiple cities across the United States and, most recently, in Toronto at TIFF, we’re making a trip to Chicago!

Sep 5, 2025 — We’re listening in this week on conversations with Charlie Kaufman, Alice Diop, and Zeinabu irene Davis.

Aug 7, 2025 — After wildly successful stops in multiple cities across the U.S., we’re taking the Mobile Closet outside the country for the first time this September.

May 29, 2025 — The rise of fascism upended the childhoods of both filmmakers.

May 20, 2025 — Set in the dying days of the 1960s, Bruce Robinson’s semi-autobiographical tale of two unemployed actors is a triumph of screenwriting and a brilliant showcase for then-unknown stars Richard E. Grant and Paul McGann.