The Criterion Collection
The Daily
Oct 18, 2019 — Maurice Pialat, Jean-Michel Basquiat, Béla Tarr, Robert Eggers, and Disney’s most notorious feature make for a rough and tumble week.
The Daily
Oct 3, 2019 — The director reunites with writer Jonathan Raymond and cinematographer Christopher Blauvelt for a quiet tale set in the Oregon Territory of the 1820s.
The Daily
Sep 30, 2019 — Critics are enthralled by a mobster’s three-and-a-half-hour alternative history of the mid-twentieth century.
Sep 9, 2019 — In his thought-provoking latest book, the critic and frequent Criterion contributor traces the complex ways European filmmakers have grappled with the influences of Christianity and modernity.
Features
Aug 28, 2019 — 1. Before he became a filmmaker, D. A. Pennebaker’s ambition was to play stride piano like Fats Waller. “What changed your mind?” I asked him. “Well,” Penny replied, “after I saw Fats play . . . ” Penny would have...
Features
Aug 26, 2019 — In the first twenty-four features he directed, between 1925 and 1939, Alfred Hitchcock —always working closely with his wife Alma Reville (variously credited for assistant direction, screenplay, and continuity)—evolved from apprenticeship to technical mastery to an exuberant flowering that made...
Jul 11, 2019 — The accomplished actor could be “compellingly loathsome,” a “titan” of comedy, and “unexpectedly moving.”
Jun 24, 2019 — A work of rapturous energy, John Cameron Mitchell’s beloved debut feature is a freewheeling rock-and-roll musical suffused with heartbreak and pleasure.
Jun 13, 2019 — Photo by Sara Driver Half a century ago, George A. Romero’s midnight-movie hit Night of the Living Dead invented the zombie genre as we know it and turned American independent filmmaking on its head. Made on an ultralow budget with...
May 29, 2019 — Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.