The Criterion Collection
Mar 26, 2007 — Across five films, the Swedish director defined his guiding themes and cinematic style.
Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Claudia Ramírez
Feb 13, 2006 — Jean Renoir’s classic film shows the natural world and the power of technology as wedded through the closely coordinated labor—effected through glances and sign language—of two men.
Dec 5, 2005 — René Clément’s masterpiece is dedicated to the radical Freudian proposal that living matter seeks the comfort of oblivion.
Jun 23, 2003 — Ermanno Olmi’s seldom-cited debut feature, the 1958 Time Stood Still, is a wonderful film, but it was the one-two punch of his second and third films that put him on the international movie scene map. Il Posto and I Fidanzati...
Sep 23, 2002 — The theatricality of Alfred Hitchcock’s thriller makes the point that psychoanalysis is a sister to cinema rather than a rival.
Essays
Nov 26, 2001 — Peter Weir’s first film to be released in America insists on the tangible power of spiritual life.
Essays
Jan 8, 1996 — Dodes’ka-den was made at a low point in Akira Kurosawa’s long career-perhaps the lowest that the director has ever known. In the preface of the filmmaker’s autobiography, critic and translator Audie Bock reports that Kurosawa’s commercial prospects became bleak in...
Sep 13, 1993 — If, as François Truffaut said, quoting Renoir back in 1958, “The film director’s task consists of getting pretty women to do pretty things,’” then never did he apply himself more faithfully than in Confidentially Yours specifically for Fanny Ardant, not...