The Criterion Collection
May 29, 2024 — This Oscar-winning courtroom drama revolves around one of director Justine Triet’s most complex creations—a high-achieving female protagonist whose motivations remain tenaciously mysterious.
The Daily
May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.
The Daily
May 16, 2024 — Does it measure up? For most reviewers, the answer is a resounding yes—but there are a few outliers.
May 14, 2024 — Few filmmakers had a greater impact on the shape and direction of American cinema in the 1960s and ’70s.
The Daily
May 1, 2024 — Films by Horace Ové, Menelik Shabazz, John Akomfrah, Isaac Julien, and more depict Black lives in a tumultuous era.
Apr 23, 2024 — With its delirious images and audaciously poetic style, Soviet filmmaker Mikhail Kalatozov’s hymn to revolution moves beyond ordinary logic to capture the mysterious beauty of collective utopia.
The Daily
Apr 18, 2024 — As TCM turns thirty, the festival opens with a thirtieth-anniversary screening of Pulp Fiction.
On the Channel
Apr 17, 2024 — Three of this month’s programs blast back to the turbulent midcentury moment when old Hollywood gave way to something new.
The Daily
Apr 11, 2024 — Anticipation builds for new work from Jia Zhangke, Francis Ford Coppola, Andrea Arnold, and David Cronenberg.
The Daily
Apr 9, 2024 — This year’s edition features a rediscovered short starring Clara Bow, a precursor to the folk horror craze, and a whole lot of gags from Harold Lloyd.