The Criterion Collection
Jan 17, 2005 — Along with Touchez pas au grisbi and Le Trou, Casque d’or is now widely recognized as the summit of Jacques Becker’s achievement as a filmmaker.
Essays
Feb 23, 2004 — With his drama about a Sicilian bandit, Francesco Rosi developed the style and method that would make him, during the sixties and seventies, the greatest political filmmaker of his time.
Aug 20, 2001 — I have known Torben Skjødt since 1983. His debut video Englefjæs—which I thought to be very accomplished—was presented during a film week in Silkeborg. A debut work, yes, but made with a self-assured maturity by a self-taught creator of images....
Essays
Sep 8, 1998 — In David Lean’s Summertime, in which Rossano Brazzi seduces Katharine Hepburn—an aging, repressed Ohio “working girl” on vacation in Venice—the Continental lover reached his pinnacle and approached his end. In the next decade, he would be embodied by Marcello Mastroianni,...
May 9, 1994 — The importance of Two English Girls lies in its sheer vitality. The film is an extraordinary cinematic conjuring trick in which Truffaut draws the viewer both physically and visually into his own personal pleasures. He does this on a multitude...
Essays
Mar 11, 1991 — The long absent comic essence of the silent era was suddenly revived in the hands of lovable and wildly antic filmmaker Jacques Tati.
Nov 9, 1987 — The stories French filmmaker Albert Lamorisse tells in these sharply crafted featurettes are simple, yet they cut straight to the heart of a child’s view of the world.
The filmmaker and artist shares his intimate connection to The Color of Pomegranates, talks about the “invisible magic” of Edward Yang’s cinema, and praises the innovative cinematography in Tokyo Olympiad.
The actor and filmmaker talks about the comedic genius of The Awful Truth, reflects on Andrei Tarkovsky’s dream sequences, and selects films starring screen legends like Jeanne Moreau and Simone Signoret.