The Criterion Collection
Aug 5, 2013 — For those of us who rank The Earrings of Madame de . . . at the top of our list of all-time favorite films, the mystery is why our passion isn’t universally shared. Every year, thanks to committed revival houses,...
Jul 1, 2013 — How the original comic everyman made us laugh and fear for his life.
Jun 26, 2013 — On the life and work of the famous Czech author, and the pleasures and challenges of translating him.
Jun 20, 2013 — The prophetic voice of H. G. Wells resonates throughout this singularly ambitious, spectacularly designed vision.
Apr 22, 2013 — A vivid portrait of a ruthless murderer, Laurence Olivier’s Technicolor Shakespeare adaptation is back in a killer restoration.
Dec 4, 2012 — Misunderstood by Hollywood, embraced by critics, this fatalistic fantasy remains Terry Gilliam’s ultimate trip.
Essays
Oct 25, 2012 — The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...
Jun 26, 2012 — Hiroshi Inagaki’s action epic is as responsible for creating Toshiro Mifune’s legendary cinematic persona as the films of Kurosawa.
May 29, 2012 — Harriet Andersson’s Monika is both an erotic object and an empowered female protagonist in Bergman’s groundbreaker.
Mar 27, 2012 — Noël Coward and David Lean created a patriotic diptych with their first two films: In Which We Serve, from 1942, about the bravery and sacrifice of British sailors and those who love them, and the 1944 This Happy Breed, on...