The Criterion Collection
Mar 30, 2021 — Mike Leigh’s midcareer masterpiece is one of the finest examples of his ability to construct riveting drama from ordinary life.
Jan 26, 2021 — As awards season picks up its pace, we have news, too, from France and New York.
Jan 14, 2021 — Herman Mankiewicz—a washed-up Hollywood screenwriter writing the first draft of Orson Welles’s 1941 biopic about William Randolph Hearst—may seem an unlikely hero for a 2020 biopic. He is rarely remembered today outside of cinephile circles, but in telling his story,...
The Daily
Jan 5, 2021 — The director overcame anti-Semitism or misogyny to make such unique films as Hester Street and Chilly Scenes of Winter.
The Daily
Dec 29, 2020 — Alongside the traditional top tens, critics are offering imaginative pairings and lists of the best audiovisual essays and title sequences of the year.
Essays
Nov 25, 2020 — “Yes, life is a dream, but sometimes that dream is a fatal abyss.” Wanda in The White Sheik (1952) I have a vivid memory from the first film-studies class I enrolled in, a class on Italian neorealism, where the weekly...
Features
Nov 20, 2020 — Standing before his friend Basil Hallward’s portrait of him, the paint barely dry, Dorian Gray implores to some unseen force: “If it were I who was to be always young, and the picture that was to grow old . ....
The Daily
Nov 9, 2020 — Critics find the story behind the writing of Citizen Kane steeped in all the glory and sleaze of Old Hollywood.
Essays
Sep 29, 2020 — Martin Scorsese’s World Cinema Project No. 3 What can it mean for cinema to be revolutionary? Answering a version of this question in a 1977 interview, the Cuban filmmaker Humberto Solás stressed the importance of real-world context. In a capitalist...
Jul 21, 2020 — Consider this an afterword to Taste of Cherry (1997), the feature that brought its director, Abbas Kiarostami, to full international prominence, after it became the first Iranian movie to win the Palme d’Or at the Cannes Film Festival (where it...