Being Human

Mar 10, 2003 — The Swedish director of I Am Curious explains how he fused the themes of eroticism, self-exploration, voyeurism, and nonviolence into a film about the new freedoms of the young. QUESTION: I Am Curious seemed to be a cinematic Tristram Shandy,...

Feb 10, 2003 — The poet Paul Eluard says that to understand my film version of Beauty and the Beast, you must love your dog more than your car. Ordinarily, I would settle for that. However, with so much being written about the film...

Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...

The writer and director talks about being inspired by Gina Prince-Bythewood’s Love & Basketball at a young age, selects a pair of films that portray the human impact of war, and praises Nina Hoss's performance in Phoenix.

Jul 22, 2026 — In his fiction features Beginners, 20th Century Women, and C’mon C’mon, the acclaimed director casts a sensitive gaze on the rich psychodynamics of human relationships and the hidden interconnections of our unconscious motivations.

Jun 18, 2019 — In his idiosyncratic, award-winning second film, Bruno Dumont uses the story of an alienated police detective to investigate the most elemental aspects of human experience.

Sep 8, 2009 — “It’s not my fault that I’m Japanese . . . yet it’s my worst crime that I am!” The words are those of Kaji, hero of The Human Condition (1959–61), but in his anguish and existential despair, he also speaks...

Jan 13, 2026 — The festival lines up its Forum Special and celebrates forty years of the Teddy Award.

Nov 18, 2025 — This December, make yourself at home in some of cinema’s most memorable hotels, celebrate Julianne Moore’s bracingly human performances, or explore the trailblazing debuts of Black women filmmakers.

Aug 28, 2025 — Made for public television, this moving vérité documentary about three terminally ill cancer patients is one of the purest expressions of the director’s career-long preoccupation with human fragility.