The Robe

May 8, 2017 — With his mix of documentary-like immediacy and profound moral inquiry, Roberto Rossellini became a pioneer of Italian neorealism, a movement that transformed the way filmmakers captured the fabric of everyday life and and grappled with the most urgent social issues...

Mar 28, 2017 — In his first English-language feature, Michelangelo Antonioni examines the elusiveness of the real through the lens of a murder mystery.

Mar 6, 2017 — To commemorate the anniversary of the late Polish master’s birth this week, critic Michał Oleszczyk pays tribute to his mercurial style, urgent political themes, and sly evasion of the censors.

Dec 21, 2016 — Romance has served as the foundation for some of film history’s most significant partnerships. Over at the Criterion Channel, we’re celebrating couples who shared a chemistry both on-screen and in real life with Creative Marriages, a series of double bills...

Jul 10, 2016 — The author, a filmmaker and film professor who cowrote a book on Abbas Kiarostami, remembers the late Iranian director.

Jun 14, 2016 — Alexander Hall’s 1941 film showcased Robert Montgomery’s star power and, with its premise of a death revoked, provided much-needed comic relief to war-worried audiences.

Feb 13, 2014 — Hiroshi Teshigahara may have never quite become a household name, but this uniquely talented Japanese filmmaker, who specialized in existential dramas peppered with surreal avant-garde touches, received a large dose of international acclaim for his 1964 Woman in the Dunes,...

Sep 10, 2013 — Martin Ritt’s 1965 movie of John le Carré’s first great novel (and first best seller), The Spy Who Came in from the Cold, declares “a plague on all your houses” to capitalists, Communists, and ruthless intelligence operatives. It’s one espionage...

Jan 16, 2013 — Both sparkling and suspenseful, Alfred Hitchcock’s benchmark thriller is the perfect getaway, and it set the scene for much of the master’s later work.

Nov 14, 2012 — Jean Luc Godard’s exuberant, multipronged attack on the bourgeoisie is both theater of the absurd and political horror.