The Criterion Collection
Criterion Designs
Jun 4, 2018 — Studio Visits New York–based painter and illustrator Riccardo Vecchio has made a name for himself with his evocative portraits and cityscapes. But for the last few years, he has returned to his Italian roots, devoting himself to depicting the Alpine mountains...
Dec 1, 2017 — Press NotesOne of the great masters of melancholy comedy, Finnish director Aki Kaurismäki, returns to theaters today with The Other Side of Hope, his first film since 2011’s Le Havre. Continuing his empathetic exploration of global migration, Kaurismäki’s latest is...
Mar 24, 2015 — Words—they conceal and reveal so much about us, as Errol Morris’s elusive and brilliant first films attest.
Feb 17, 2015 — It was never, of course, Yasujiro Ozu’s intention that An Autumn Afternoon (1962) should be the final film of his thirty-five-year career as a writer-director. Indeed, before he died on his sixtieth birthday, in December 1963, he had made notes...
Short Takes
Jul 18, 2014 — The annual Cinema Ritrovato festival in Bologna, Italy, has become the hottest showcase for the latest restorations of classic and overlooked films from around the world. So we were thrilled that they decided to show our restoration of Richard Lester’s...
Jan 21, 2014 — Bigger is better in Stanley Kramer’s crazily crammed slapstick epic, a timeless showcase for comedy genius.
Essays
Oct 22, 2013 — The disc of Faces that you now hold is the most beautiful copy possible of a film that was meant to look lousy. Digital technology painstakingly reproduces John Cassavetes’s lighting, which allowed his actors to move about freely, and so...
May 14, 2013 — Delmer Daves’s classic western is psychologically probing, magnificently shot, and fascinatingly ambiguous.
Jun 21, 2012 — The following interview with actor Ruth Gordon originally appeared in the April 4, 1971, edition of the New York Times. “Have ya gotta angle for the story?” The accent—part New England hayseed, part Dead-End Kid—is unmistakable. It belongs to Ruth...
Essays
Aug 9, 2010 — Now that Terry Zwigoff’s Crumb is fifteen years old, it seems pretty safe to say that it has evolved from a potential classic to actually being one. But what kind? A documentary portrait of a comic-book artist, musician, and nerdy...