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Jun 4, 2001 Mario Monicelli’s caper comedy is that genuine rarity in popular culture: a satire that not only helped kill off one movie genre, but started a whole new subgenre in the process.

The actor praises films by directors he has worked with, talks about how Mike Leigh’s Naked and Ken Loach’s Kes helped define contemporary British cinema, and thanks his father for his love of Tampopo.

Known for playing helpless but lovable neurotics, this brilliant performer has also written and directed some of the sharpest satires of modern American culture, all characterized by his singularly dry sense of humor.

Roger Durling has been the executive director of the Santa Barbara International Film Festival for twenty-three years. He has been teaching film studies at Santa Barbara City College for just as long. He helped edit a book on Alfonso Cuarón’s...

Oct 4, 2024 The week offers conversations with Francis Ford Coppola and John McNaughton, deep dives into a horror classic, and a guide to Indie’a Parallel Cinema.

Sep 30, 2024 Showered with accolades, loved, admired, and feared, Smith was one of the most accomplished stars of the stage and screen.

Nov 30, 2023 A retrospective in New York offers an opportunity to delve into Yoshida’s views on the work of early masters such as Kurosawa and Ozu.

Sep 29, 2023 The week brings conversations with Hal Hartley, Todd Haynes, Christine Vachon, Pedro Costa, Wang Bing, and Rita Azevedo Gomes.

Jun 8, 2023 The robust oeuvre features performances from Marcello Mastroianni, Michel Piccoli, Catherine Deneuve, Gérard Depardieu, Hanna Schygulla, and Ornella Muti.

Feb 27, 2023 Among the highlights this month is a series celebrating Oscar nominee Michelle Yeoh, an international star who began her career as one of Hong Kong cinema’s fiercest action heroes.

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