The Criterion Collection
Oct 15, 2024 — This jolt of delicious weirdness from Japanese New Wave master Masahiro Shinoda is both a reverent salute to Kabuki and a self-consciously postmodern take on its traditions.
Oct 8, 2024 — Though it received dismissive reviews upon its release, this chillingly nihilistic horror film has since influenced such masters as Alfred Hitchcock and Jacques Rivette with its low-budget evocation of anxiety and indeterminacy.
The Daily
Oct 8, 2024 — Telling a love story in three parts spanning more than twenty years, Jia offers a summing up before he turns a new page.
The Daily
Oct 2, 2024 — The singer and songwriter who rerouted Nashville’s course became an unlikely but winning movie star.
Features
Sep 20, 2024 — With their virtuosic celebrations of death, giallo films reflect the air of paranoia and fear that haunted Italian society in the 1960s and ’70s, a period when the country was undergoing dramatic, violent changes.
The Daily
Sep 4, 2024 — New York’s Metrograph showcases work by the renowned cinematographer with a special focus on his collaborations with Hou Hsiao-hsien.
The Daily
Sep 3, 2024 — The Room Next Door, The Brutalist, and Babygirl are met with both wild enthusiasm and serious reservations.
The Daily
Aug 30, 2024 — Martin Scorsese and Edgar Wright discuss overlooked British films and cinematographer Mark Lee Ping-bing talks about working with Hou Hsiao-hsien.
Aug 20, 2024 — In her formally daring debut feature, Martha Coolidge stages a confrontation with the subject of date rape that questions the kind of “closure” required in conventional storytelling.
Aug 1, 2024 — Philadelphia’s showcase of work by Black, Brown, and Indigenous artists opens today and runs through the weekend.