The Criterion Collection
Oct 16, 2006 — Alfonso Cuarón’s first film—a sex farce that pokes fun at Mexican culture, including a public-service AIDS campaign—emerged from Mexico’s beleaguered state funding system for cinema, and was initially shelved by the government.
Essays
Jul 24, 2006 — Powell and Pressberger’s poignant work captures the fulfillment and absolute sameness of the everyday and the sacred.
Sep 26, 2005 — “They were down for each other.” If one wanted to pitch the concept of Bad Timing in six words, this comment by its director, Nicolas Roeg, couldn’t be bettered.
Essays
Feb 14, 2005 — A touchstone of Jean-Luc Godard‘s political period, the film plays with the idea of recording working-class history as it is happening.
Jan 17, 2005 — Along with Touchez pas au grisbi and Le Trou, Casque d’or is now widely recognized as the summit of Jacques Becker’s achievement as a filmmaker.
Essays
Jul 19, 2004 — In Yasujiro Ozu’s hands, the extended-family drama widened its focus to encompass friends, neighbors, and employers.
Mar 13, 2004 — With uncharacteristic warmth and affection for human frailty, Ingmar Bergman raises the question of how love can possibly last forever.
Jan 11, 1999 — This epic reimagining of medieval Russia was the most historically audacious production made in the twenty-odd years after Sergei Eisenstein’s Ivan the Terrible.
Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...