No Way Up

Nov 2, 2017 — In the Village Voice, Bilge Ebiri looks back to the day in 1992 when, as a college freshman, he dropped everything, skipped his classes, and took a train from New Haven to New York to see a movie: Orson Welles’s...

Oct 31, 2017 — In the latest entry in Reverse Shot’s symposium on time, Julien Allen proposes that “perhaps the most compelling display of Hitchcock’s bravura in Psycho [1960] occurs during one of its least discussed sequences, in which Norman Bates (Anthony Perkins) cleans...

Oct 28, 2017 — We begin with a few translations. Asymptote lives up to its own billing as “the premier site for world literature in translation” with the presentation of Adam Kuplowsky’s renderings in English of some observational work by Yasujiro Ozu. “These three...

Oct 27, 2017 — New York. Hank and Jim, running at Film Forum from today through November 16, is a companion series to Scott Eyman’s new book, Hank and Jim: The Fifty-Year Friendship of Henry Fonda and James Stewart. Today “offers back-to-back Hitchcock movies,”...

Oct 25, 2017 — Complete Film Criticism: Reviews, Essays, and Manuscripts, a collection edited by Charles Maland, gathers reviews and features James Agee wrote for The Nation from December 1942 to September 1948 and for Time from September 1942 to November 1948. Jonathan Rosenbaum...

Oct 23, 2017 — “Meet the new hotshots of American filmmaking,” offers the Observer, stacking four profiles on one page. Tim Lewis gets Dee Rees talking about Mudbound (“The mud wasn’t free!”) and going with Netflix: “I think Netflix are disrupters and maybe they...

Oct 20, 2017 — New York. We opened yesterday’s entry on goings on here and there with a round on MoMA’s series Strange Illusions: Poverty Row Classics Preserved by UCLA, currently running through October 28. We need to again today, because Farran Nehme Smith...

Oct 20, 2017 — Back in August, a woman identified only as Robin became the third woman to accuse Roman Polanski of sexual assault, after Samantha Geimer and Charlotte Lewis. On October 3, two days before the New York Times blew the Harvey Weinstein...

Oct 12, 2017 — “In my undergraduate years, I watched three films almost every day,” Wang Bing, director most recently of the Golden Leopard-winning Mrs. Fang, tells Zoe Meng Jiang. “I’m from the same generation as the Sixth Generation filmmakers like Wang Xiaoshuai and...

Oct 11, 2017 — The shower scene in Psycho remains one of the most iconic scenes in film history. Alexandre O. Philippe, director of the new documentary 78/52,explains why it touched a nerve with audiences.