The Criterion Collection
Apr 30, 2019 — In 1979, at the age of twenty-eight, Gillian Armstrong shot to international prominence with her first feature, My Brilliant Career, a beautifully realized tale, set in the turn-of-the-century Australian bush, about a young woman with ambitions of becoming a writer....
The Daily
Apr 30, 2019 — With its fresh vision, and yes, box office success, Boyz n the Hood (1991) made Singleton a force to be reckoned with for nearly three decades.
On the Channel
Apr 24, 2019 — Channel Calendars The Women (1939) It’s going to be a packed month on the Criterion Channel, with a spotlight on the unforgettable female characters of a classic Hollywood master, a tribute to the great Japanese cinematographer Kazuo Miyagawa, a new...
Apr 23, 2019 — The independent program will premiere new work by Robert Eggers, Lav Diaz, Bertrand Bonello, Rebecca Zlotowski, Takashi Miike, Luca Guadagnino, and Ariane Labed.
Apr 23, 2019 — It’s unlikely that anyone who pays attention to contemporary short films will be unfamiliar with our selection this week on the Criterion Channel, which took the film-festival circuit by storm last year, garnering dozens of awards and an Oscar nomination....
Apr 22, 2019 — The independent program of first and second features spotlights fresh talent from around the world.
On the Channel
Apr 20, 2019 — The latest installment of the Criterion Channel’s Meet the Filmmakers series, in which we invite artists to create documentary portraits of directors they admire, sets out for a stroll with an underappreciated American master: Charles Burnett, the poetic realist behind...
The Daily
Apr 18, 2019 — This year promises a healthy mix of renowned auteurs and younger talents—and there’s more to come.
The Daily
Apr 17, 2019 — Showcasing new work by filmmakers at the forefront of nonfiction and hybrid cinema, this year’s edition also pays tribute to three vital groundbreakers.
The Daily
Apr 12, 2019 — This week sees further remembrances of Agnès Varda, reflections on Godard then and now, and appreciations of a vital but too often overlooked filmmaker, Nelly Kaplan.