The Criterion Collection
Aug 31, 2017 — “Lucrecia Martel is the elusive poet of Latin-American cinema, missing believed lost, the Mary Celeste in human form,” begins the Guardian’s Xan Brooks. “She made La Cienaga and The Holy Girl; split the Cannes audience in two with her brilliant,...
Aug 30, 2017 — Paul Schrader’s First Reformed premieres in Competition in Venice before screening in the Masters program in Toronto, and the New Yorker’s Richard Brody finds it to be “a fierce film; Schrader, one of the crucial creators of the modern cinema...
The Daily
Aug 27, 2017 — Tobe Hooper, whose 1974 shocker The Texas Chain Saw Massacre “became one of the most influential horror films of all time,” as Pat Saperstein puts it in Variety, has passed away at the age of seventy-four. Saperstein: “Shot for less...
The Daily
Aug 25, 2017 — Cinephiles were shocked last month by the news that Hans Hurch, who had been the director of the Vienna International Film Festival (Viennale) since 1997, suffered heart failure in Rome, where he had been meeting with Abel Ferrara, and passed...
The Daily
Aug 24, 2017 — Cineaste has posted selections from its fiftieth anniversary issue, along with a round of web exclusives. Louis Menashe, professor emeritus at Polytechnic Institute of New York University and author of Moscow Believes in Tears: Russians and Their Movies, tells the...
The Daily
Aug 21, 2017 — When Jonas Mekas and his brother Adolfas fled Lithuania in 1944 only to land in a Nazi forced-labor camp, Jonas began to keep a diary. Entries from that diary are gathered in I Had Nowhere to Go, out now from...
The Daily
Aug 19, 2017 — “So about Logan Lucky: I knew in the first shot that I was going to love this movie,” Amy Taubin tells Steven Soderbergh during her interview with him for Film Comment. “I call it the three-shot rule,” says Soderbergh. “After...
Aug 18, 2017 — In this unsparing drama, Mike Leigh captures the grim mood of Thatcher’s England through the frustrations of a working-class London family.
The Daily
Aug 17, 2017 — “My first job out of UCLA Film School, at age twenty-two, was directing second unit on The Night of the Hunter for Charles Laughton.” So begins a collection of memories, pre-production sketches, and screenplay pages at the Talkhouse Film from...
The Daily
Aug 9, 2017 — New York. “Though Fire Island is the movie’s very recognizable locale, it is filmed in arcadianly remote aspects of sunlight, shade and water, and narrated simply on the solemn, picturesque, stark level of myth. . . . The world as...