The Criterion Collection
Essays
Feb 11, 1990 — Bob Rafelson’s ultimate road movie is a relaxed masterpiece, a film of laid-back innovation that hasn’t aged one iota since its original release.
Essays
Dec 11, 1989 — Michelangelo Antonioni’s classic divided film history into that which came before and that which was possible after its epochal appearance.
The Daily
Sep 26, 2025 — The week brings a celebration of restorationists and the new and younger audiences showing up to see their work.
The Daily
Jan 15, 2025 — Edward Berger’s improbably entertaining follow-up to All Quiet on the Western Front (2022) scores twelve.
Jan 14, 2025 — In this digressive, intensely interior masterpiece, Jean Eustache mines the dramas of his past romances while also capturing the disillusionment of young Parisians in the aftermath of May 1968.
Jan 6, 2025 — Sunday night’s big winners include The Brutalist, Emilia Pérez, and Flow.
The Daily
Jan 23, 2024 — Close contenders include Poor Things, Killers of the Flower Moon, Barbie, and Maestro.
The Daily
Nov 30, 2023 — A retrospective in New York offers an opportunity to delve into Yoshida’s views on the work of early masters such as Kurosawa and Ozu.
The Daily
Sep 6, 2022 — Here’s an overview of how some of the contenders are faring with critics in Venice.