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The After

Graham Greene on Sabotage

On the Channel

Dec 13, 2016 — Yesterday, we kicked off our Criterion Channel series Spy Games by sharing Graham Greene's review of Jacques Feyder’s Knight Without Armour, a highlight in the lineup. Today, we’re focusing on another title in the series, Sabotage, which marked “the first...

Nov 22, 2016 — The result of a notoriously troubled production, Marlon Brando’s unorthodox western presents a brooding vision of human futility.

Nov 15, 2016 — Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.

Aug 18, 2016 — Beloved Hollywood veteran Arthur Hiller passed away yesterday at the age of ninety-two. In a career that spanned five decades and more than thirty films, he demonstrated remarkable versatility, with credits ranging from Neil Simon comedies (The Out-of-Towners, Plaza Suite)...

A Tribute to Michael Cimino

Production Notes

Jul 7, 2016 — In honor of the director, we look back at his quintessentially American narratives.

Jun 14, 2016 — Alexander Hall’s 1941 film showcased Robert Montgomery’s star power and, with its premise of a death revoked, provided much-needed comic relief to war-worried audiences.

Jun 1, 2016 — With Wrong Move, Wim Wenders made “a movie about the impossibility of moviemaking, a road movie about the uselessness of travel, a literary film about the impossibility of communication.”

May 10, 2016 — Nicholas Ray’s In a Lonely Place imbues the conventions of film noir with a subtle, tense vulnerability that lends a naturalistic weight to the film’s powerful emotional impact.

Jan 19, 2016 — Inside Llewyn Davis takes its protagonist on a Hero’s Journey of characteristically Coen-esque proportions—a voyage at turns serious and comic, and framed by an exquisitely curated selection of folk melodies.

Jan 13, 2016 — In Bitter Rice, Giuseppe De Santis focused his lens on the world of Italy’s female rice workers, for a story that’s part social commentary, part pulp melodrama—and introduced the world to a dazzling young actress named Silvana Mangano.

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