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Jul 23, 2013 — Asked by French journalists in a 2001 interview what recent films he most admired, Brian De Palma named Ang Lee’s 1997 The Ice Storm. It was surprising to hear one of the leaders of a filmmaking revolution that aimed at...

Jul 3, 2013 — PerformancesIn Rosemary’s Baby, one of the first exclamations that Minnie Castevet (Ruth Gordon) makes on hearing the news that her young neighbor Rosemary (Mia Farrow) is expecting a little bundle of joy is “I can’t wait to tell Laura-Louise!” Earlier,...

Jun 20, 2013 — The prophetic voice of H. G. Wells resonates throughout this singularly ambitious, spectacularly designed vision.

Apr 16, 2013 — With its idiosyncratic humor, killer soundtrack, and middle finger to Reagan-era politics, Alex Cox’s film was the perfect cult hit for the golden age of the video store.

Apr 9, 2013 — This essay by novelist, playwright, and culture critic Gary Indiana originally appeared in the 1992 book Everything Is Permitted: The Making of “Naked Lunch.” Burroughs’s work tends to affect people like a Rorschach test. It separates cultural conservatives from avant-gardists,...

Mar 14, 2013 — Ministry of Fear, now available for the first time on DVD and Blu-ray in the U.S., was the eighth film Fritz Lang made in Hollywood after emigrating from Germany in 1936. It was also, as author Joe McElhaney (The Death...

Jan 22, 2013 — Andrei Tarkovsky’s austere, minimalist, and poetic film was the first major accomplishment in an oeuvre that would become one of Russia’s main contributions to the treasury of world cinema.

Dec 11, 2012 — The climate change expert discusses how Godfrey Reggio’s films presaged widespread concern about global warming and warned about the dangers of consumerism.

Nov 21, 2012 — In his films as well as his poems, novels, and short stories, Pier Paolo Pasolini evinced a love of vernacular speech, often choosing to write in the slangy argots of the working class and the dispossessed. He made his adaptation...

Nov 13, 2012 — Rejecting the orientalism of other adaptations, Pier Paolo Pasolini’s take on the classic tales is humane and erotic.