Jul 20, 2022 A brutal critique of the American dream, Carl Franklin’s 1995 thriller explicitly confronts the racialized implications of classic film noir.

Over Time

The Daily

Jun 25, 2022 This week sees new issues of film and literary journals as well as great writing on Stanley Kwan, Hong Sangsoo, and Claire Denis.

BAMcinemaFest 2022

The Daily

Jun 23, 2022 The showcase of independent films from around the world returns as an in-person event for the first time since 2019.

May 25, 2022 Mira Nair’s sumptuous second feature explores migration, rebellion, and romance across racial borders in the American South.

May 18, 2022 Just slightly northwest of Death Valley, in what is now eastern California, a mountain range carves out the eastern edge of the Owens Valley. Sculpted by bedrock pushed between tectonic faults during the late Proterozoic to Cambrian periods, the Inyo...

May 17, 2022 Juzo Itami’s tragicomic directorial debut has scandalous fun with the Japanese traditions governing death.

Fits and Starts

The Daily

May 13, 2022 It wasn’t always smooth going for Max Ophuls, Mike Hodges, or Irrfan Khan.

Apr 19, 2022 With the extraordinary success of Drive My Car on the global festival and awards circuit, director Ryusuke Hamaguchi has emerged as one of the most beloved filmmakers in the world. In honor of today’s announcement of our upcoming edition of the movie,...

Apr 19, 2022 Frank Tashlin directs Jayne Mansfield to her cartoonish limits in this outrageous showbiz satire that is a testament to the power of bad taste.

Mar 28, 2022 Rosine Mbakam’s documentaries are exercises in reconfiguring relations of power. Her first three nonfiction features are all portraits of Cameroonian women, each of whom is invited to participate in coconstructing a cinematic space of testimony, candor, and expressive autonomy. Filmed...

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