Jul 20, 2022 The festival will screen new restorations of films by Edward Yang, Jean Eustache, Pier Paolo Pasolini, and Yasujiro Ozu.

Jul 20, 2022 A brutal critique of the American dream, Carl Franklin’s 1995 thriller explicitly confronts the racialized implications of classic film noir.

Jul 20, 2022 Bristol’s showcase of restorations and rarities will head out across the UK and Ireland next month.

July Books

The Daily

Jul 19, 2022 Our midsummer books roundup opens with one sharp critique and one celebration of American popular culture.

Jul 19, 2022 Centered on a grieving theater director and his driver, Ryusuke Hamaguchi’s Oscar-winning drama is a quiet meditation on the mysteries of communication, the flexibility of truth, and the search for honesty.

Jul 15, 2022 This week we head back to 1981 with Reverse Shot, to the 1970s with Straub-Huillet, and to the 1960s with Marco Bellocchio.

Jul 15, 2022 In her last significant film role, the art-house icon reveals an emotional vulnerability previously hidden by her ethereal persona.

Festival Notes

The Daily

Jul 14, 2022 A quick overview of the latest news from Venice, Bologna, Marseille, and Sarajevo.

Jul 14, 2022 Both intimidatingly massive and deeply sympathetic, the creature at the heart of Bong Joon Ho’s meat-industry fable is the product of a close collaboration between the director and artist Jang Hee Chul.

Jul 13, 2022 Stylistically informed by film noir, Martin Scorsese’s searing drama plumbs male violence and rage through a boxing champ’s self-destruction.

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