The Criterion Collection
On the Channel
Nov 25, 2016 — Just in time for Black Friday, two cinematic masters playfully pillory consumerism for our weekly double feature: Yasujiro Ozu’s Good Morning (1959) and Jacques Tati's Mon oncle (1958). But these wildly different virtuosos mount opposite attacks, Ozu sweetly funny in...
Nov 18, 2016 — For Film Comment, Marc Walkow surveys the career of director Tomu Uchida, currently the subject of a retrospective at the Museum of Modern Art. Like many commercial Japanese directors of his era, Uchida has long been underappreciated in the West,...
In Theaters
Nov 17, 2016 — French cinema icon Isabelle Huppert takes the spotlight this weekend, as New York City’s Metrograph theater launches a mini-retrospective of her four-decade career.
Nov 16, 2016 — The joy of new love collides with the anxieties of everyday life in Paul Thomas Anderson’s off-kilter foray into romantic comedy.
Nov 15, 2016 — Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.
On the Channel
Nov 11, 2016 — This week’s Friday Night Double Feature on the Criterion Channel demonstrates how much suspense a superb director can wring from an intriguing premise without resorting to yelling “boo!” or splashing gore.
Nov 2, 2016 — The morning after opening his first theater in Brooklyn, Alamo Drafthouse cofounder stopped by Criterion to chat about his life as a collector
Features
Oct 31, 2016 — In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.
Sep 28, 2016 — “King of the Nudies” Russ Meyer injects his transgressive exuberance into this big-studio send-up of Hollywood debauchery.
Sep 28, 2016 — The salacious sixties phenomenon of the Dirty Book made its way to the big screen in this adaptation of Jacqueline Susann’s best seller.