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The Story of Us

Sep 6, 2019 In Nang, young writers celebrate Asian cinema in honor of Alexis Tioseco and Nika Bohinc, and new issues of other titles offer fresh reviews and interviews.

Oct 12, 2018 Two early works by Ingmar Bergman show the Swedish master grappling with the conventions of melodrama, which would go on to influence his later explorations of spiritual torment.

Dec 20, 2017 Over the past decade, contemporary Greek cinema has erupted onto the international film stage with a new vanguard of directors whose bold works share a taste for provocation and highly stylized worlds. This week on the Criterion Channel on FilmStruck,...

Designing for del Toro

Criterion Designs

Oct 26, 2016 When putting together the Criterion editions of Guillermo del Toro’s films, we assembled a talented group of artists, including Hellboy creator Mike Mignola, del Toro collaborator Guy Davis, comic book creator Becky Cloonan, and Russian artist Vania Zouravliov.

Sep 27, 2016 This monumental meditation on the Ten Commandments captures the spiritual undercurrents of life in late-Communist Poland.

Feb 18, 2014 The immediacy of an ongoing war electrifies Alfred Hitchcock’s suspenseful second Hollywood feature.

Jan 28, 2014 Terence Davies beckons the viewer into a private world of moods and sensations with this exquisite childhood reverie.

Jan 6, 2014 Critics commonly describe Throne of Blood (1957) as Akira Kurosawa’s adaptation of Macbeth. While this description is certainly not untrue, the film is much more than a direct cinematic translation of a literary text. Kurosawa’s movie is a brilliant synthesis...

Oct 24, 2013 In John Cassavetes’s personal cinema, the director was always trying to break away from the formulas of Hollywood narrative, in order to uncover some fugitive truth about the way people behave. At the same time, he took seriously his responsibilities...

Oct 23, 2013 If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...

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