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Mar 1, 2018 — This year’s edition of the True/False Film Fest opens today in Columbia, Missouri and runs through Sunday. “The festival focuses on nonfiction films, though True/False’s definition of the term is intentionally porous,” writes Aarik Danielsen during the course of his...

Mar 1, 2018 — “His face did something to me. Or, rather, the film, with its compassion and its utterly jarring ending, which I won’t give away, did something to me. But, then again, you could also say that, in some sense, the film...

Feb 28, 2018 — A few days ago, we ran an essay here by Pico Iyer on Satyajit Ray’s The Hero (1966), followed by Meheli Sen’s comments on Uttam Kumar’s performance within the context of his stardom. Iyer has more to say and, writing...

Feb 27, 2018 — Director Tony Richardson refracts the bawdy spirit of the 1960s through this brilliantly distilled take on an eighteenth-century picaresque.

Feb 24, 2018 — New York. The Film Society of Lincoln Center and the Museum of Modern Art have announced the complete lineup for the forty-seventh New Directors/New Films festival, opening on March 28 with Stephen Loveridge’s Matangi/Maya/M.I.A. and closing on April 8 with...

Feb 24, 2018 — Starting yesterday, and on through Wednesday, Anthology Film Archives in New York is presenting a series curated by Steve Erickson, Documentary, Iranian Style: The Films of Mehrdad Oskouei. “It’s about as essential a film series as I can imagine,” writes...

Feb 22, 2018 — Bengali cinema icon Uttam Kumar stars as a matinee idol on the brink of failure in this deeply introspective meditation on art and fame.

Feb 20, 2018 — Get Out director Jordan Peele tells the Hollywood Reporter’s Stephen Galloway that he’s currently writing and plans to direct his next film later this year. “One thing I know is that this is genre; and playing around with the thriller,...

Feb 20, 2018 — In this wildly inventive revenge drama, director Kon Ichikawa blurs the line between stage and screen, infusing kabuki traditions with his own extravagant visual sensibility.

Feb 19, 2018 — Jonathan Demme put an uncompromisingly feminist spin on the law-enforcement procedural with this wildly successful, Oscar-winning drama.