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Feb 8, 2018 “Is there a full-length feature film in the dramatic but blink-and-it’s-over incident of three young Americans subduing a heavily armed terrorist determined to kill as many people as possible on a Paris-bound fast train two years ago?” asks the Hollywood...

Apr 28, 2011 When Criterion producer Susan Arosteguy was at the South by Southwest film festival in Austin, Texas, last month, she met local cooking teacher and cinephile Ron Deutsch in line for a screening. They got to chatting, and Ron told Susan...

Aug 18, 2003 One of the Swedish director’s most representative works, this drama’s portentousness, banked intensity, and recondite symbolism come near to embodying the popular stereotype of the Bergmanesque.

May 26, 2026 Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...

Cannes 2025 Lineup

The Daily

Apr 10, 2025 The competition alone will launch new films by Wes Anderson, Kelly Reichardt, Richard Linklater, Joachim Trier, and Ari Aster.

Melbourne 2024

The Daily

Aug 5, 2024 The expansive program includes the world premiere a new restoration of Wake in Fright with a new score performed live.

Aug 8, 2023 Premiering in competition, Do Not Expect Too Much from the End of the World is an immediate critical favorite.

Jun 6, 2023 The Hungarian filmmaker will give introductions and take questions during retrospectives hosted by the American Cinematheque and Film at Lincoln Center.

Designs for Living

The Daily

Aug 12, 2022 The sublime comedies of Ernst Lubitsch, a state-of-the-doc address, and the spectacular work of three graphic designers.

Jul 5, 2022 Bong Joon Ho’s fantasy blockbuster explores the follies of global capitalism through the lens of the meat industry—and a young girl and her “superpig” best friend.

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