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The Man

Jan 6, 2003 With its casually comfortable exoticism, abstruse locale, and beautifully sympathetic anti-hero, Julien Duvivier’s film established a narrative paradigm that persists today.

Sid & Nancy

Essays

Oct 18, 1998 1986 was not a good time to make a film which attempted to capture the Punk spirit. Deep into second-term Reagan/Thatcher, American and British pop culture were infected with cynicism, hopelessness, immobility. So when Alex Cox came over with his...

Feb 11, 1990 Bob Rafelson’s ultimate road movie is a relaxed masterpiece, a film of laid-back innovation that hasn’t aged one iota since its original release.

Nov 14, 1988 It is sometimes as important to be in touch with the truths of your own time as it is to be in touch with its metaphors. 2001: A Space Odyssey, one of the most influential films ever made, constructed a...

Aug 3, 2023 Reubens’s man-child creation was the role of a lifetime, but filmmakers were eager to have him show us his real range.

Mar 8, 2021 Son of avant-garde filmmaker Ken Jacobs, Azazel Jacobs was raised in lower Manhattan surrounded by artists. He received his bachelor’s degree in film from SUNY Purchase and his master’s from the American Film Institute. His credits include The Good Times...

Jun 21, 2004 Indefatigably productive, ingenious, exasperating, narcissistically didactic, slyly self-promoting, abject, generous, exploitative, devoted to the wretched of the earth with honest fervor and deluded romanticism: Pier Paolo Pasolini can easily exhaust the adjective-prone, as man and artist, his person and his...

The Mountain Goats front man and novelist picked up a few favorite movies and shared his love for Bruce Lee, Laurence Olivier, Toshiro Mifune, and other screen icons.

Nov 25, 2025 Having broken through in over-the-top horror movies, Kier turned in arresting performances in films by Fassbinder, Lars von Trier, and Gus Van Sant.

Nov 18, 2025 This December, make yourself at home in some of cinema’s most memorable hotels, celebrate Julianne Moore’s bracingly human performances, or explore the trailblazing debuts of Black women filmmakers.

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